Right now this blog is an experiment in aggregating other people's posts

Pylon Reenactment Society: July 1, 2018 Mercury Lounge

Posted on July 18, 2018 by


[photos by Chris Sikich]

Pylon’s influence on their contemporaries is indisputable. Indeed, over the years REM has consistently cited Pylon for their positive impact on the 1980s Athens scene. What’s become more clear in the intervening years is that Pylon’s influence is more vast than their local time and place — their revolutionary sound can be heard in new bands even today. Pylon was enjoying a bit of a renaissance in their third reunion period of 2007-2008 when tragically guitarist Randy Bewley suffered a heart attack and passed away at the age of 53. At that point, the band was formally retired and it seemed as if Pylon’s music would only live on in recordings.

After a few one-off local performances, in 2014 lead singer Vanessa Briscoe Hay re-formed the band under the moniker Pylon Reenactment Society. With the blessing of her two former bandmates Michael Lachowski and Curtis Crowe, Vanessa compiled a group of performers from the Athens scene who were both intimately familiar with the music and personally known to the band. Guitarist Jason NeSmith and bassist Kay Stanton were not only members of Athens mainstays Casper & the Cookies, but were also bandmates with Vanessa in Supercluster. Drummer Joe Rowe was a founding member of Athens greats the Glands, who suffered their own deep loss with the 2016 death of leader Ross Shapiro. Vanessa also added a new touch with this new configuration, as her friend and University of Georgia music professor Damon Denton fortifies the sound of PRS with skillful keyboards. So with friendship, familiarity, and a common ethos, its easily understandable that Pylon Reenactment Society has generated universally positive reviews as both an tribute and a celebration of Pylon, and a contemporary band with its own story to write.

Pylon Reenactment Society doesn’t come North very often, but we were fortunate to catch this month’s appearance at Mercury Lounge, a venue where I captured the original band in 2007. With a full crowd there to party, PRS brought the goods — an animated set of old Pylon classics and two new numbers all performed with the precision the songs require but this a new touch from a different skilled set of performers, all fronted by the inimitable Vanessa Briscoe Hay. The set began with “Driving School” and “Volume” from the first Pylon record, 1980’s Gyrate. Indeed, the show would include almost all of the first album and the entirety of Side A of the band’s second album Chomp. The set even included uber-rare b-side “Altitude”, a song with which we were unfamiliar until the fantastic release in 2016 of Pylon Live (Chunklet). With a twenty-song, ninety-minute set, Pylon Reenactment Society gave the crowd of old and newer fans all that could have been asked for — a chance to relive the old classic material in a new configuration with plenty of heart. We hope they’ll be back North again soon.

I recorded this set with the Schoeps cards set up next to the soundboard and mixed with an excellent feed and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Pylon Reenactment Society
2018-07-01
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files >
Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:28:45]
01 Driving School
02 Volume
03 Look Alive
04 Cool
05 Messenger [new song]
06 Precaution
07 K
08 Italian Movie Theme
09 Human Body
10 [band introductions]
11 Working Is No Problem
12 Danger
13 Altitude
14 Buzz
15 Crazy
16 Try To Do That [new song]
17 Feast On My Heart
18 Beep
19 [encore break]
20 M Train
21 Dub
22 [banter – thanks]
23 Stop It

PLEASE SUPPORT Pylon Reenactment Society: Website | Bandcamp | Buy Pylon Live

Pylon Reenactment Society: July 1, 2018 Mercury Lounge

Posted on July 18, 2018 by


[photos by Chris Sikich]

Pylon’s influence on their contemporaries is indisputable. Indeed, over the years REM has consistently cited Pylon for their positive impact on the 1980s Athens scene. What’s become more clear in the intervening years is that Pylon’s influence is more vast than their local time and place — their revolutionary sound can be heard in new bands even today. Pylon was enjoying a bit of a renaissance in their third reunion period of 2007-2008 when tragically guitarist Randy Bewley suffered a heart attack and passed away at the age of 53. At that point, the band was formally retired and it seemed as if Pylon’s music would only live on in recordings.

After a few one-off local performances, in 2014 lead singer Vanessa Briscoe Hay re-formed the band under the moniker Pylon Reenactment Society. With the blessing of her two former bandmates Michael Lachowski and Curtis Crowe, Vanessa compiled a group of performers from the Athens scene who were both intimately familiar with the music and personally known to the band. Guitarist Jason NeSmith and bassist Kay Stanton were not only members of Athens mainstays Casper & the Cookies, but were also bandmates with Vanessa in Supercluster. Drummer Joe Rowe was a founding member of Athens greats the Glands, who suffered their own deep loss with the 2016 death of leader Ross Shapiro. Vanessa also added a new touch with this new configuration, as her friend and University of Georgia music professor Damon Denton fortifies the sound of PRS with skillful keyboards. So with friendship, familiarity, and a common ethos, its easily understandable that Pylon Reenactment Society has generated universally positive reviews as both an tribute and a celebration of Pylon, and a contemporary band with its own story to write.

Pylon Reenactment Society doesn’t come North very often, but we were fortunate to catch this month’s appearance at Mercury Lounge, a venue where I captured the original band in 2007. With a full crowd there to party, PRS brought the goods — an animated set of old Pylon classics and two new numbers all performed with the precision the songs require but this a new touch from a different skilled set of performers, all fronted by the inimitable Vanessa Briscoe Hay. The set began with “Driving School” and “Volume” from the first Pylon record, 1980’s Gyrate. Indeed, the show would include almost all of the first album and the entirety of Side A of the band’s second album Chomp. The set even included uber-rare b-side “Altitude”, a song with which we were unfamiliar until the fantastic release in 2016 of Pylon Live (Chunklet). With a twenty-song, ninety-minute set, Pylon Reenactment Society gave the crowd of old and newer fans all that could have been asked for — a chance to relive the old classic material in a new configuration with plenty of heart. We hope they’ll be back North again soon.

I recorded this set with the Schoeps cards set up next to the soundboard and mixed with an excellent feed and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Pylon Reenactment Society
2018-07-01
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files >
Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:28:45]
01 Driving School
02 Volume
03 Look Alive
04 Cool
05 Messenger [new song]
06 Precaution
07 K
08 Italian Movie Theme
09 Human Body
10 [band introductions]
11 Working Is No Problem
12 Danger
13 Altitude
14 Buzz
15 Crazy
16 Try To Do That [new song]
17 Feast On My Heart
18 Beep
19 [encore break]
20 M Train
21 Dub
22 [banter – thanks]
23 Stop It

PLEASE SUPPORT Pylon Reenactment Society: Website | Bandcamp | Buy Pylon Live

Howlin’ Rain: July 13, 2018 Brooklyn Bowl

Posted on July 15, 2018 by

Howlin’ Rain’s latest album, The Alligator Bride, is the result of a culmination of forces at work in the Howlverse: after the grand studio work of Mansion Songs, Ethan Miller recorded The Alligator Bride with his touring band, successfully bottling the sound we heard on their 2015 tour. The record’s vision hearkens back to the earlier Southern Gothic days of Howlin’ Rain—and not incidentally their first self-titled album has just been reissued on vinyl for the first time. Miller also recently talked to the folks on the No Simple Road podcast, sharing that his inspiration for the live-in-the-studio sound came from the Dead’s Europe ’72 opus. So it was more than appropriate to find the ’Rain opening up for Californian Dead cover band, Grateful Shred, for their first two East Coast gigs. The ’Rain are in fine form here on night one, treating the Dead-freaks in attendance to an opening instrumental followed by five tunes from The Alligator Bride.

Howlin’ Rain continue their tour without the Grateful Shred, and you’re highly advised to catch them in your town. They’ll be back in the NYC-area for shows at Monty Hall on July 27 and Union Pool on July 28. Meanwhile we’ll be back in a few days with recordings of Howlin’ Rain night 2, as well as both nights of Grateful Shred. As they say, stay tuned to these higher frequencies!

Download: [MP3/FLAC]

Howlin’ Rain
2018-07-13
Brooklyn Bowl
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A (FOB, ROC, PAS) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (balance, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [43:53]
01. Untitled
02. Missouri
03. Rainbow Trout
04. The Wild Boys
05. Alligator Bride
06. Coming Down

Band:
Ethan Miller: guitar and vocals
Jeff McElroy: bass, backing vocals
Dan Cervantes: guitar, backing vocals
Justin Smith: drums, backing vocals

Website | Facebook | Buy The Alligator Bride and other Howlin Rain records via Silver Current

Mountain Movers: June 10, 2018 Wonders of Nature

Posted on July 12, 2018 by

No longer just the home of white clam pizza, New Haven, Connecticut’s latest claim to fame is psych rock from the likes of Mountain Movers. The band’s latest self-titled slab is a dose of distorted guitars swirling around heavy grooves that, hey why not, probably go great with their hometown’s signature pie. Guitarist-singer Dan Greene has been at it for 10 years, but the current band with Rick Omonte on bass, Kryssi Battalene on lead guitar, and Ross Menze on drums have this thing really dialed-in. We caught the band a year ago at Union Pool and they’ve only gotten better since. This recording captures the band on the small stage at relatively new Brooklyn joint Wonders of Nature, opening for the heady Garcia Peoples. It features a couple tunes from that self-titled record plus a couple new ones, “Freeway” and an untitled jam. Mountain Movers are currently touring with Howlin’ Rain and these are some absolute can’t-miss shows. In the NYC-area they’ve got Monty Hall on July 27 and Union Pool on July 28. We hope to see you there!

Download: [MP3/FLAC]

Mountain Movers
2018-06-10
Wonders of Nature
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO MBP603/KA200N (DIN, stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (mixdown, balance, normalize, fades) + Izotope Ozone 5 (EQ, image) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [26:59]
01. Freeway
02. Everyone Cares
03. New Jam
04. Angels Don’t Worry

Buy Mountain Movers via Bandcamp

King Gizzard and the Lizard Wizard: June 16, 2018 Brooklyn Steel

Posted on July 2, 2018 by


[photos by PSquared Photography]

One of the most advantageous aspects of our involvement in this site is our access and exposure to the world class music at a time before those bands hit it big. When it comes to King Gizzard and the Lizard Wizard, we were there at Day One of their time in the US, including seeing their first U.S. show at McCarren Park, a series of shows at Baby’s All Right, a semi-private Halloween party in a loft, their first show at Bowery Ballroom, and the “secret show” at Baby’s later that week. The three King Gizzard shows we saw in 2015 corresponded to the new music that would eventually become their major label debut and breakthrough album, 2016’s Nonagon Infinity (ATO Records). But it was in 2017 when The Gizz took their career to the next level, accomplishing a feat that will likely never be repeated — the release of five quality albums in one calendar year.

Its been two years since I last saw them in NYC and while much has changed, King Gizzard are still very much the same band. Although it wasn’t Baby’s, the three sold out shows at Brooklyn Steel were very much fan-friendly affairs with the band playing a very democratic selection of material. The show we recorded was the middle night of the three and fortunately for us contained an homage to the “old days”, a long “Head On / Pill” segue that contained long bits of three older numbers and a few other teases. We’d like to think it was the Gizz’s acknowledgement of how important those early days in New York were for the band’s career, days we captured here and remember well.

I recorded this set with the Schoeps cards set up inside the soundboard cage and mixed with a superbly mixed and well balanced soundboard feed. The resulting blend yielded another superb recording from this excellent sounding room. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

King Gizzard and The Lizard Wizard
2018-06-16
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:29:17]
01 Rattlesnake
02 Greenhouse Heat Death
03 Digital Black
04 Vomit Coffin
05 The Lord of Lightning
06 Alter Me I
07 Altered Beast II
08 Crumbling Castle
09 The Fourth Colour
10 Deserted Dunes Welcome Weary Feet
11 The Castle In The Air
12 Muddy Water
13 The Wheel
14 Robot Stop
15 Gamma Knife
16 People-Vultures
17 Head On-Pill
18 Cellophane
19 Sea of Trees
20 Am I In Heaven
21 Pill (Reprise)

PLEASE SUPPORT King Gizzard and the Lizard Wizard: Website | ATO Records Site | Bandcamp

Guerilla Toss: June 19, 2018 Union Pool (Residency Night 3)

Posted on June 28, 2018 by

The phenomenal Brooklyn band Guerilla Toss graced the hometown crowd with a monthlong residency at local haunt Union Pool that found the band trying out new songs and compelling covers, and generally driving the locals wild. This band’s bread and butter has always been the live setting, but these shows put the band at a new level. Against the backdrop of sick visuals from Macrodose, Kassie Carlson whipped the room into a frenzy, culminating in a room wide mosh pit during set-closing “Polly’s Crystal.” Whipping from one song straight into the next for almost the entire hour, the band served up sixteen songs that included an ESG cover and the new numbers “Come Up With Me” and “Green Apple.” In case you were worried, I think we can expect their next release to meet or exceed the outstanding GT Ultra.

This recording combines engineer Doug’s awesome house mix plus my Schoeps MK5 mics from the center of the balcony. The sound is excellent. Enjoy!

Download the complete show from its Live Music Archive page: [MP3] | [FLAC]

Guerilla Toss
2018-06-19
Union Pool
Brooklyn, NY USA

Recorded and produced for nyctaper.com by acidjack

Shoutout to NCArchive for recording/posting three of the nights of this series and for the setlist

Schoeps MK5 (XY, FOB, DFC)>KC5>CMC6 + Soundboard (engineer: Doug)>>Sound Devices MixPre 6>24/48 polyWAV>Adobe Audition CC (compression, fades, limiter)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Betty Dreams of Green Men >
02 Erase You [ESG]>
03 TV Spell>
04 Operate >
05 Come Up With Me>
06 TV Do Tell [Jane La Onda Cover]>
07 Grass Shack Pt 1>
08 Green Apple
09 Diamond Girls>
10 Skull Pop>
11 Drip Decay>
12 Multibeast TV>
13 Billy Blood Idol >
14 Dog In The Mirror
15 [encore break]
16 Polly’s Crystal

PLEASE SUPPORT Guerilla Toss: Bandcamp | Facebook | DFA Records Page

Garcia Peoples: June 10, 2018 Wonders of Nature

Posted on June 20, 2018 by

New Jersey-based Garcia Peoples have been turning local heads for little while now, but are poised for some major attention with their upcoming Beyond Beyond is Beyond debut, Cosmic Cash. The five-piece features Tom Malach and Danny Arakaki on guitars, Cesar Arakaki on drums, and Derek Spaldo on bass, plus the recently-joined P.G. Six on keyboards. With more than a passing resemblance to the Grateful Dead, Garcia Peoples trade in laid-back slacker jams and good vibes. Do head over to Bandcamp and preorder Cosmic Cash now!

The band is in the midst of a four-week residency at Wonders of Nature. We caught them for the second in the series of show on June 10th where they played us a few stretched out tunes from the album and a mind-bending finale jammer with Krissi Batalene of Mountain Movers and Headroom. If you haven’t made it out to Wonders of Nature yet to see Garcia Peoples, never fear—they play this Sunday with Hans Chew and Prison & Pigeons. Don’t miss it!

Download: [MP3/FLAC]

Garcia Peoples
2018-04-13
Elsewhere
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by PSquared Photography

Soundboard + MBHO MBP603/KA200N (stage lip, DIN) > Roland R-26 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [56:19]
01. Break Me Down
02. One Step Behind > Hangin’ On
03. Suite Songs All the Time > Distant Lands
04. Jam (w/ Krissi Batalene)

Band:
Tom Malach
Danny Arakaki
Cesar Arakaki
Derek Spaldo
PG Six

Preorder Cosmic Cash via Bandcamp

Deer Tick: June 9, 2018 The Junction Long Beach NY – Brull Foundation Benefit

Posted on June 18, 2018 by


[photos by Kurt Christensen]

The Tommy Brull Foundation and Deer Tick have grown together over the years since the band’s appearance at the Foundation’s first fundraising concert under the “Shine A Light” moniker in 2011. The Brull Foundation has more than a decade long record of providing funding and leadership for a variety of inspired causes, all motivated by the work of the late Tommy Brull, who dedicated so many of his days to working with the disabled at Camp Anchor in Lido Beach. Last weekend’s event was organized to fund a special needs playground in Rockville Centre and the concert having sold out well in advance, the Foundation again achieved its goal. So that by the date of the show, it was time to celebrate.

Deer Tick themselves also have a decade’s worth of work under their belts. And with time, the band itself has changed in personnel and approach, including the recent departure of keyboardist Robert Crowell. While the quartet still enjoys a good time, Deer Tick’s most recent double album release (Deer Tick Vol 1 and Vol 2) represents the most contemplative material of its catalog with issues such as sobriety, marriage, and fatherhood elevating the focus of the band’s lyrics. And not surprisingly given the surnames of all four members of the band, Deer Tick seems to have rediscovered its Irish roots, which on this night included a Pogues cover and a traditional Irish reel in the closing segment of Ian O’Neill’s “Hope Is Big”. We were also fortunate to hear John McCauley jamming on “Dirty Old Town” on the mandolin backstage before the show. The show however was all inclusive, and the setlist was a fine retrospective of the band’s entire career including four numbers from as far back as 2007’s War Elephant and moving forward to a good half dozen tracks from Vol 1 and Vol 2. In between there were interactions with the exuberant crowd, interplay between the band members, acknowledgements of the Brulls, and a lengthy and well-performed classic Deer Tick show. All things considered, this night may have been the ultimate performance of Deer Tick’s four Brull shows, and the good news is that its almost certainly not the last pairing of these two excellent groups of people.

I recorded this set with the Schoeps cards set up at the stage lip and mixed with a soundboard feed. The sound quality combines the liveliness of the sound at the stage fortified by instrumentation and vocals in the board feed. The final result is a superb recording. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set (minus banter):

Deer Tick
2018-06-09
The Junction
Long Beach NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:35:10]
01 Don’t Hurt
02 Dream in the Ditch
03 [banter – fire alarms]
04 Clownin’ Around
05 The Bump
06 Easy
07 S.M.F.
08 Cocktail
09 Card House
10 Hope Is Big
11 Twenty Miles
12 Baltimore Blues No. 1
13 Art Isn’t Real
14 Dancing In The Dark [Springsteen]
15 The Rock
16 Wants Needs
17 White City [Pogues]
18 Look How Clean I Am
19 These Old Shoes [Chris Paddock]
20 Mange
21 [encore break]
22 Jumpstarting
23 Sleepwalk [Santo and Johnny]
24 Ashamed
25 You Are So Beautiful [Billy Preston]

Please SUPPORT Deer Tick: Website | Buy Albums | Bandcamp

Mind Over Mirrors: June 7, 2018 Brooklyn Bazaar

Posted on June 14, 2018 by


[Photos by Bill Antonucci]

I’ve listened to Mind Over Mirrors’ latest double-LP, Bellowing Sun, a whole bunch since its early-April release—but it didn’t occur to me until halfway through this performance at Brooklyn Bazaar how much of a Cluster vibe it has going. The other thing that struck me was how dexterous each of the players was, taking on multiple instruments, often at the same time. The band is the same as last time we saw them, which is Jamie Fennelly joined by Janet Beveridge Bean, Jim Becker, Jon Mueller (I guess your first name needs to start with J to join the Mirrors—my loss there). Bellowing Sun is a little unusual in the Mirrors’ catalog as its the result of a commission from Chicago’s Museum of Contemporary Art. The piece as it was performed in Chicago this past April was accompanied by a multimedia sculpture and light installation which, if the pictures are any indication, was pretty damn cool. Jamie says there is a possibility of bringing the entire experience on the road. But for now, we got to hear the entire Bellowing Sun played live at Brooklyn Bazaar last week. I can’t even describe how amazing it is to see four musicians pull off this complex, layered performance, so I won’t: the music speaks for itself.

Thanks to the Brooklyn Bazaar staff for their hospitality. The new venue sounds great and we hope to be back soon. Enjoy!

Download: [MP3/FLAC]

Mind Over Mirrors
2018-06-07
Brooklyn Bazaar
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Bill Antonucci

Soundboard (engineer: Nick) + MBHO MBP603/KA200N (LOC, PAS) > Roland R-26 > 2 x WAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:36:14]
01. Feeding on the Flats
02. Matchstick Grip
03. A Pallinopsic Wind
04. Zeitgebers
05. Lanterns on the Beach
06. Vermillion Pink
07. Halfway to the Zenith
08. Oculate Beings
09. Talking Knots
10. Twenty-one Falls
11. Acrophasing
12. Pausing to Wonder

Band:
Jamie Fennelly
Janet Beveridge Bean
Jim Becker
Jon Mueller

Website
• • Buy Bellowing Sun and other Mind Over Mirrors recordings via Bandcamp

Dommengang: May 31, 2018 Union Pool

Posted on June 10, 2018 by


[Photo by Bill Antonucci]

L.A.’s Dommengang have returned after a three-year absence with a new record and accompanying live dates. On their second record, Love Jail, the band trades in the instrumental psych typified on Everybody’s Boogie for their own brand of mustache rock. Moreso even than the Sunset Strip vibes Dommengang channel throughout the LP, Love Jail conjures the aura of the 1975 private press LP from Minnesota band Highway. Most of all, Love Jail is a lot of fun, something you can roll down the windows and blast. If you find yourself in southwest next month (or just feel like you need a road trip), be sure to catch the band opening a few dates for Stephen Malkmus and the Jicks.

Download: [MP3/FLAC]

Dommengang
2018-05-31
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Bill Antonucci

Soundboard (engineer: Doug) + MBHO MBP603/KA200N (DIN) > Roland R-26 > 2 x WAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [47:49]
01. I’m Out Mine
02. Pastel City
03. Lovely Place
04. Lone Pine
05. Her Blues
06. Going Down Fast
07. Dave’s Boogie
08. Stealing Miles
09. Everybody’s Boogie

Band:
Brian Markham
Adam Bulgasem
Sig Wilson

Bandcamp | Facebook | Buy Love Jail from Thrill Jockey